Thanks, everything you said before that is interesting as well.
If you look at this picture, you might notice that it uses a strange 4 colour RCYB mask, which was intended for 8K displays. While I liked the height of the slot mask compared to what was available under the 4K section, that was always unacceptable.
CyberLab Megatron miniLED 4K HDR Game BFI SNES S-Video Slot-Mask Sharp Advanced Neo-GX Super Fine CRT Shader Preset
I recently modified the Sony Megatron Colour Video Monitor Shader to change it into a standard RGB/RBG/BGR layout for 4K Displays.
I wasn’t sure how best to integrate it with the original Sony Megatron Colour Video Monitor or if I even wanted to so I just crested my own self contained mod which you can access if you download my latest CyberLab Megatron miniLED Epic Death To Pixels HDR Preset Pack.
It integrates, some important tools from the IMG Mod shader for cropping and centering, noise aka grain, corners, new Grade, CRT-Guest-Advanced-NTSC AfterGlow and Horizontal Filtering Section and XBR-LEVEL-2 shaders.
In its current state XBR messes with the grain/noise so you might have to use either sparingly to avoid unwanted artifacts.
I was at a point of almost complete satisfaction before when I set out to achieve a fine balance between smoothness and sharpness without using Super-XBR and that’s how my W2 (miniLED Wave 2) presets came about. I was happy that I was able to reduce the number of passes from 19 to 12 while achieving similar or better results.
Super-XBR has always been a bit flawed for my purposes so I was pleasantly surprised when I saw @guest.r showcasing some examples which used the XBR-LEVEL-2 vs Scale-FX and I knew immediately that it would be a perfect match.
These days, I’m mainly focusing on solving issues like Scanline/Mask alignment, especially when switching scale factors and using slot masks.
Many times it affects the centering of the horizontal slots and the vertical offset needs to be adjusted to address that.
Also certain scale factors work better with different Scanline dynamics setups or it could also be a core/vertical resolution thing so I tend to stick to Scale Factors which produce even scanlines.
I’ve all but given up on sharing “dark” screenshots because many folks still just don’t seem to get it.
So I really don’t know how many other folks get to enjoy the type of experience that I do.
I also use HDR virtually all the time in my Windows Setup and in RetroArch.
What TCL did last year was nothing short of amazing with the QM751G and QM851G, it’s too bad that they’ve also stepped back in some respects with the 2025 lineup, at least so far because they might be releasing a QM9K.
I doubt miniLED is dead because at least on the TV side of things, it seems like manufacturers make higher profit margins on high end miniLED than on OLED.
RGB-miniLED, more zones, better local dimming algorithms mean that what’s good now should be getting even better.
Then there’s the HDR Impact that currently only MiniLED can provide.
The QM8K has a new type of panel that both improves native contrast ratio and wide viewing angles, while giving us an almost unique for a VA panel, RGB Subpixel Layout.
Having the QM751G and experiencing the things that I mentioned about preferring higher brightness and smaller window sizes over BFI and better motion clarity makes me wonder what could be done with a QM851G instead.
It would be sad to see it drop off the market without an equal in brightness, affordability and lack of bugs/new artifacts, which seemed to have plagued the 2025 line’s launch. I see some of the weirdness sometimes where the algorithm just doesn’t know what to do or can’t make up its mind when I’m navigating RetroArch menus with a minimal amount of white text on the screen surrounding by alk of that grey.
The backlight starts to oscillate between light and dark because that’s what grey is, right but it’s the small amount of white text that throws it off sometimes.