Please don’t take that out of context.
I wasn’t complaining about anything that Sony Megatron was doing or not doing. Just stating what I was observing my TV doing when Saturation and/or Paper White Luminance was affecting the red colour in particular, when it was below a certain threshold.
That was more about me realizing the brightness limitations of the TV and seeing how harsh things looked when I had been setting things up for viewing from a distance. I used to set Paper White Luminance to 630.
When I started sitting closer, I experimented with lowering the paper white luminance to 450.
For me to determine if it had anything to do with Mask Accurate/Colour Accurate that mode, would have taken further testing that I never bothered to do because there was never any concern about if that was a potential cause or contributor to that behaviour.
In fact, that sepia tone I used to see on my LG E6P WOLED predated the implementation of the Mask Accurate/Colour Accurate mode addition since that is how the colours looked before adjusting the Paper White Luminance values since trying out Sony Megatron Colour Video Monitor the first time and not getting it to look or work properly until after several attempts over a period of time.
As far as I can recall, reds can look differently (orange or brownish, even on my current miniLED TV (on which I exclusively use the Colour Accurate Mode) if Saturation is set too low. There’s always a balancing act for me between clipping the reds or other colours and getting them to look the way I want in terms of tonality.
Also remember that phosphor choices also skew the appearance of red significanty and that I haven’t used the default Sony Megatron Stack that much in years. Mine is a mix of the old Grade sections built-into Sony Megatron Colour Video Monitor and the Official Grade V2. So potential colour skewing and the need for additional tuning is not something that would intimidate me.
Even by changing the Mask type there are changes in colour and tonality, similarly for changing the TVL.
So I’m not here to argue as to who is right and wrong but if something doesn’t affect you, why should you be bothered by something that is designed to assist others who are affected differently or have a different preference to you?
At the end of it all, I’m kinda tired of the whole culture of online debating and stuff like that. Don’t take this personally as I have nothing against you personally. I think I’ll just leave it up to @MajorPainTheCactus to implement, achieve and realize his vision for the new Sony Megatron Colour Video Monitor and see how things are when the dust settles.
Remember, Mask Accurate/Colour Accurate is a fix for the inability of the LG WOLED panels to produce pure RGB triads, which is one of the reasons for doing subpixel mask emulation in the first place. The obvious and well known possible side effect of less colour accuracy is something that has never hindered me in anyway. As I just turned the knobs, used Grade, saturation, white balance, gamma, adjusted scanlines as necessary to get colours to a satisfactory level.
In any case, I don’t even use an OLED TV anymore but I do think about those who still do and the legacy of presets and how exciting it is to see those RGB triads all the way from the couch to the screen.
It’s just the way, I try to build my presets, from the subpixel and scanline up.
This is a video which mentions the WOLED reds looking orange issue and I’m almost sure it isn’t the only one.
https://share.google/aimode/rK7bpGMbRxgg8FL1k